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Glyndebourne Opera House upgrades with EM Acoustics
SAUL_Glyndebourne, Director; Barrie Kosky, Saul; Christopher Purves, David; Iestyn Davies, Merab; Lucy Crowe, Michal; Sophie Bevan, Jonathan; Paul Appleby, High Priest; Benjamin Hulett, Witch of Endor; John Graham_Hall, (SAUL_Glyndebourne, Director;
Although EM Acoustics tech might not be visible at first, these loudspeakers are helping Glyndebourne Opera House to enhance performances
In idyllic Sussex, the Glyndebourne Opera House has marked a milestone for opera enthusiasts by upgrading its sound system using EM Acoustics. The company's Reference Series is at the heart of this development.
While opera is fundamentally an acoustic art form, modern productions and programming schedules demand creative flexibility. The new system enables sound effects and pre-recorded elements to be brought into the acoustic space.
The upgrade of the PA system at Glyndebourne reflects the need to expand artistic possibilities whilst preserving the integrity of traditional opera.
Jonathon Moss, head of sound and video at Glyndebourne, reflected on the process of convincing stakeholders to accept the renovation. “It was important to respect and honour the traditions, whilst also ensuring we chose a sound system capable of providing us with a sophisticated toolbox to meet the demands of modern productions now and in the future,” said Moss.
To achieve this balance, Moss selected the Reference Series which stood out for clarity and transparency of its sound, saying, “There’s nothing else on the market that could compete with the Reference Series.”
The choice of EM Acoustics was also influenced by the company’s collaborative approach. “They’re incredibly supportive, hands-on and open to feedback,” says Moss. “With EM Acoustics, we have direct access to the people designing the loudspeakers, ensuring the system meets our sometimes quite particular needs.”
After careful deliberation, the team at Glyndebourne went with the R12s for their optimal frequency response and natural sound. The look of the Reference Series loudspeakers also fits with Glyndebourne’s requirement for subtlety.
The upgrade of the sound system ensures improved operational efficiency
The proscenium PA includes six R12s and two R8s, with two permanent R12s positioned upstage for sound effects. Two R10s and two S-215s are also mounted on the balcony for immersive sound effects, using the room's acoustics to maximise resonance.
Four R8s are hung from the ceiling, whilst four S-218 subwoofers are installed underneath the auditorium. A total of nine DQ20 amplifiers and a range of deployable speakers complete the system. The entire foldback system is also EM Acoustics, enabling the orchestra to be played back on-stage for performers.
The changes have been met with overwhelmingly positive feedback from creative teams. “When someone doesn’t notice it’s amplified, it means we’ve succeeded in keeping the magic of opera alive,” says Moss.
The integration of EM Acoustics at Glyndebourne serves as an example of how innovation can coexist with tradition.
EM Acoustics technology is offering full-venue solutions in other theatres across the country, including the Theatre Royal Plymouth.
Find out more about EM Acoustics at emacoustics.co.uk
