Follow-Me 3D kept Train consistently illuminated throughout their 40-date Drops of Jupiter: 25 Years in the Atmosphere Tour, giving lighting designer Joel Wojcik the flexibility to track every performer and adapt instantly to the action on stage.
Virtuality.one clustered PixelBox media servers to drive 19 projectors at 3,840 by 2,400 in 10-bit 4:4:4, using PIXERA’s warping tools to finish a calibration that automated camera systems could not complete.
The IRIS virtual reality facility, introduced at the Forlì Campus, is a reconfigurable VR CAVE supporting research into future mobility, aerospace design and human–machine interaction.
Adlib demonstrated the breadth of its rental operation, with teams delivering audio, lighting, video, rigging and automation for artists and events spanning folk, dance, country, pop, classical and rock.
Maranatha Community Church has opened its new 5,500-seat campus in Kempton Park, featuring Africa’s first permanent L-Acoustics L-ISA system for immersive, precise sound across the auditorium.
Room-acoustic strategy integrates the protected dome, Endure Screens Micro Pro projection surface and concealed HOLOPLOT immersive audio into one cohesive environment.
The humble media server has evolved into one of the most powerful tools in live production. We look back at where that shift began – and where it now leaves the industry
History has never been more alive – as demonstrated by the National WWI Museum and Memorial’s latest exhibition